Quarter of a century old. Female. Vivacious, gregarious, fiercely real. Love is my religion. Freedom is my political platform. Graphic Artist/ Designer. Freelance badass & creatively obsessed.
This is just a place for me to store my thoughts and things I find visually appealing. A place where I can be anonymous and expressive.
This is just a persona of me.
ladies and gentlemen we have officially reached the “in case a nuclear attack happens” phase……. [x]
This shit is wild.
There should be an amber alert or something to warn us, hopefully. But if you’re so close to the blast that the entire outside flashes white your first priority is to get underneath the blastwave any way you can.
After that you have 2 options: drive away or protect yourself from the radiation.
Option one is tough because literally everybody else is going to want to do this, and you could get stuck right in the fallout. And lemme tell you, if you’re stuck out there when the ashes first fall for more than 15 minutes, you’re dead. Radiation poisoning.
Option two is harder, but has a better success rate. Get underground. Most houses have a crawlspace, but in this bad time just saw a fucking hole in your floor. Put table over hole. Pack some large containers (like tubs), with dirt, tight, and stack them on your table or wherever you’re going to be directly underneath. you need 36 inches if dirt to be protected from the radiation poisoning. You could preemptively buy lead and stick that in a container with a lot of serface area, i forget how many inches you need vertically.
How ever much serface area the dirt/metal/lead covers is how much you and your party will be able to move around. As long as there’s enough inches vertically you’ll be good so long as you stay under it.
You gotta stay under there for at least 2 weeks, 3 to be sure.
Also, if you can see the mushroom cloud, stick your arm out as far as you can. Do a thumbs-up and close one eye. If your thumb is bigger than the cloud, you are safe. If the cloud is bigger or the same size as your thumb, then that means you are in the radiation zone and should evacuate immediately.
I cannot believe I actually have to freaking reblog this but here y'all go just in case
I grew out of “I never text first” phase, since I realized nothing was wrong with showing someone, you care about them more than your pride
Everyone needs to grow out of the “I never text first phase” sooner rather than later.
In friend groups there is always someone who is always initiating the conversation with everyone they know. It is utterly exhausting, and it leaves them feeling like the friendship would not continue if they weren’t putting in the effort. Do them a favor and start the conversation first for once. It means something.
As someone who has often had to be the initiator- the truth of it is the friendship WON’T continue if you don’t reach out. Because eventually the person who is always texting first will wait for you to text first. And they will wait. And wait. And if you don’t text them they’ll come to the obvious conclusion you never wanted to talk to them to begin with. So if you enjoy talking to someone- TEXT THEM.
this was long before cartoons were ever thought of as ‘for kids’, the target audience of this one was roughly 20-40
betty boop cartoons featuring cab calloway singing, yes, but slang has changed so much you dont realize he was singing about opium, sugar daddies, death, weed, sex, booze, and gambling back when gambling was nearly as tabboo as sex and drugs. ‘minnie the moocher’ where cab calloway is a dancing walrus is specifically about someone who does literally everything on that list but die
most of the animation studios had their ‘thing’ to make their animation stand out, disney had fluid motion linked with quality music, warner brothers had top notch dialogue with carefully crafted facial expressions, MGM had comedic timing down to the individual frame that no live action comedian could dream of achieving, terrytoons had the budget of a ham sandwitch and a fistfull of nickels
fleischer studios however had authentic jazz and heavy toned subject matter, often crossing the line of what we think of as ‘cartoon violence’ into realistic
